Frequencies, Worship, & the 440Hz Dilemma (part 2)

Most of us learned in elementary science class that the human body is composed of around 60% water. It’s even more so for infants (75-78%). You also probably learned early on that water is a molecule consisting of two hydrogen atoms bonded by a single oxygen atom (H2O). That’s about as far as most students got in the science of water, or molecules, or atoms for that matter.

But did you know that atoms—all atoms—are in constant motion?

In science nerd-dom, this is referred to as the Kinetic Theory of Matter, which dictates:

  • All matter is made up of tiny particles (atoms, molecules, or ions) that are always in constant, random motion.
  • The speed and type of motion depend on temperature and the forces between particles.
  • Higher temperature = faster movement = higher kinetic energy (energy of motion).

Solid matter like ice cubes, handguns, and those overdue library books you forgot about have particles tightly packed that vibrate in place. They’re sort of like an older white guy at a concert, just leaning a little in tune with the music.

The particles in liquids are moving faster and can roll around, flowing here and there. Keeping with the live music analogy, these are the hand waving guys and gals who sway with the groove; they go with the flow.

Gas particles are the wild ones. They just let it all hang out, going wild, with dancing and spinning and not a care in the world. They fill whatever space is available and sometimes blow stuff up.

In short, all matter is in motion, including the molecules in your body that make up your muscles, veins, blood, brain, bones, and organs. In part 1, we discussed what frequencies are and how the specific frequency of 440Hz came to be the standard for all tuning and recordings.

In this round, we’ll discuss how matter (specifically the matter composing the human body) might be affected by the music we hear, the words we speak, and the way we worship.

A Design Feature, Not A Flaw

We know that everything is made up atoms, and atoms are in constant motion, vibrating and oscillating due to thermal energy, which generates specific frequencies.

And yet, the universe is so intricately designed that atoms themselves are made of smaller parts, each of which is subject to its own complexity of movement:

Going back to elementary science class, molecules inside us are vibrational, and highly susceptible to outside frequencies. Not only that, they experience resonance with certain frequencies (more on that in a minute).

What does it mean for us, then, when we bombard our bodies with harmful frequencies?

How might those who seek to harm us use those frequencies?

And what might nefarious actors do to divorce us from spirit-lifting, healing frequencies?

Taking all of that science into account, it’s worth noting what frequencies our instruments, words, and voices are emitting, and how the words we speak and the sounds we make are resonating with the world around us. There’s that word again: resonance.

I guess we better define it.

What is resonance?

The wordy-nerdy definition usually goes something like this:

Resonance is the phenomenon where a system or object responds with increased amplitude (vibration, oscillation, or reaction) when driven at a specific frequency that matches its natural frequency.

If you find that definition kinda confusing, don’t be discouraged. That’s because it’s trying to generalize a term that’s actually highly specific to whatever is being discussed.

There are lots of different kinds of resonance: mechanical resonance, nuclear magnetic resonance, electrical resonance, mesomerism (which deals with chemicals), orbital resonance (think astronomy and celestial motion), and several others.

These entail complex relationships, but they all operate on the same basic concept: Resonance is nature’s way of transferring or increasing energy when frequencies match.

For our purposes in discussing resonance, I want to focus on acoustic resonance, and also perhaps what some refer to as social resonance.

Breaking Glass and Healing Brains

Once again we visit the elementary science class. Most of us know that if you turn a soundmaking device to the right pitch (frequency), you can use that sound to break a wine glass.

Or, if a jet plane flies fast enough it will break the sound barrier2 (and also a lot of glass, if it’s at a low enough altitude). The sound barrier shattering is an example of sound causing a pressure shock wave. But the wine glass experiment is different, an example of acoustic resonance.

When the frequency of the sound bombards the wine glass, it vibrates. Once that sound frequency matches the wine glass’s natural frequency (400-2500Hz depending on the glass) it resonates by breaking.3

The same principle exists with a cochlear implant for those hard of hearing. This process is much more complex but essentially the device filters sounds, bypasses damaged areas of the ear, and distributes them directly to nerves in the ear so they can resonate with the brain.

In humans, resonance is a physical response our bodies have to an outside stimulant. It’s also an emotional one. We respond a certain way when words and sounds overwhelm us. Brain scientists call this the Default Mode Network (DMN) but you might have heard it referred to as a schema, which is sort of a mental flow chart we create for ourselves dictating how we respond to situations, subconsciously and instinctively.

Mental schemas and DMNs are actually different but highly intertwined, both contributing to that flight, fight, freeze, or fawn4 response that humans have in traumatic situations.

Words and sounds illicit those responses, for better and for worse.

There is a well-established connection between the sounds we hear and the way our bodies respond. Foul words can create foul moods; grating music can lead to agitation and physical pain.

Science, then, merely confirms what His word and our bodies teach us: The frequencies we bombard ourselves with matter.

So this begs the question we posited in part 1: Does it matter which frequencies we use in worship?

And here’s another question: How have instruments (worship) and voices been used throughout history on the fields of battle?

The Holy Hand Grenade

You can’t get away from the fact that God uses words and sounds all over the Bible in conjunction with displays of power, or proceeding miracles, or providing comfort, or many other purposes.

One of the most dramatic, though, is in the book of Judgesoften where God commands Gideon to use sound to defeat an entire army.

The Lord could have accomplished this miracle without the trumpets. He could have slain all of the Midianites quietly in the night. So why the sound blast?

I have no idea, but I do know that the shofar—the ram’s horn instrument used by Gideon and his 300 men in Judges 7—typically produced a fundamental frequency around 376 Hz, which is slightly higher than an F note. But since most of us don’t use shofars in our our worship sets (and probably don’t want to), perhaps it would be spiritually wise to find out what frequencies are being blasted from our sound systems on Sunday morning.

This, friends, is how the natural world operates. It’s the way God designed it, and it’s also how the enemy perverts and uses it.

In part three of this series I’d like to explore the controversy associated with why the standard pitch presets are at 440Hz. Recent science and historian research has tackled this topic, and an ugly conclusion is taking shape:

It should come as no surprise that the link between sound frequencies, our bodies, and the international standardization of sound frequency has a lot to do with psychological warfare.

It also may not surprise you that the work of American and German scientists in the 1930s and 1940s was pivotal in setting that standard just in time for a major war, and coincidentally timed with unprecedented breakthroughs in the technology of music and film…and propaganda.


Frequencies, Worship, & the 440Hz Dilemma (part 1)

Frequencies, Worship, & the 440Hz Dilemma (part 1)

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  1. Japanese researcher Masaru Emoto gained prominence with his experiments with water crystal formation. He found that exposing water to various pieces of music correlated with the structure of the crystals formed; beautiful music played in harmonious frequencies produced dazzling water crystals; foul, grating music (or negative lyrics) created visually ordinary, or unpleasant crystals, or none at all. Emoto is not a Christian, and has been labeled a “quack pseudoscientist” by the Wikipedia class of paid experts who rail against raw milk and heavy metal detoxing in favor of “safe and effective” vaccines, glyphosate, prescription everything, and wearable devices. While I don’t agree with his philosophy or his “spirituality,” his experiments are interesting and noteworthy, and align with Biblical truths such as “life and death are in the power of the tongue” (Proverbs 18:21).
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  2. Breaking the sound barrier—or creating a sonic boom—denotes a phenomenon that occurs when an object approaches the speed of sound. A sudden increase in aerodynamic drag occurs when an aircraft approaches 770 miles per hour (AKA Mach 1) resulting in a massive sound wave that can shake, rattle, or even break substances within a certain radius. You might think of this like the waves that ripple along the surface of a lake after a boat speeds past.
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  3. Setting up this experiment for science students is surprisingly complex. If you’re ambitious and want to try it, here is a step by step tutorial.
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  4. This term is gaining mainstream acceptance among trauma counselors. Fawning is a survival tactic of going along with abuse in order to survive the situation, hoping to mitigate future harm or provide a opportunity to escape afterwards. In less extreme cases, this might manifest as a tendency to be a people pleaser.
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  5. The Task Positive Network is the part of the brain that activates when one is mentally focused on a task, such as planning and decision making. ↩︎

Author: Vince Guerra

Vince Guerra is a writer, author, and homeschool father of eight. He writes weekly here and on Substack. He is the author of the Modern War series of books, available online wherever books are sold. He lives in Wasilla, Alaska.